#STAR WARS AGE OF REBELLION BOBA FETT FULL#

For Boba FettВ and Han Solo, it felt like they connected due to other peopleвЂ™s opinions on them and how they respond to it. In a recent interview with Greg Pak, he said he wasnвЂ™t trying on purpose to create connections between Hero and Villain issues like Jody Houser did in Age of Republic, but so far thereвЂ™s been a way to rhyme the Hero and Villains, intentional by him or not. And even in the way they place or frame Boba in a panel speaks louder than any words he couldвЂ™ve spoken in the panels. What really struck me were a little things, the glints and reflections on BobaвЂ™s armor, as gave a real sense of presence to the space Boba took up in a panel, the chaos and fullness of the bar scene, the perfect lighting in the dark-set panels, and those voluminous explosions. Boba Fett is an issue much like GrievousвЂ™ was, but somehow the art of Marc Laming, with Neeraj Menon on colors, manages to beat Luke RossвЂ™ work, something I didnвЂ™t think could happen, though I still enjoy the entirety of RossвЂ™ Villains work over LamingвЂ™s so far. It was a great showcase of the strengths of comics, as they marry the intimateness of novels with the visuals of movies, as the art is just as important to the overall feeling of the content within the panels as the writerвЂ™s story. The Age of RepublicВ ended with a General Grievous issue which leaned heavily on Luke RossвЂ™ wonderful art to bring its creepy, spooky tale to life. We seeВ it here, making the age-old adage of вЂњShow, donвЂ™t tellвЂќ really ring true, as it much easier to feel his reputation by the reactions of those having to deal with him. By keeping Boba silent for basically the entirety of the issue, and everyone else doing the talking, from panic about his presence to love for his actions, really shows readers the reputation he has, instead of us being told again and again heвЂ™s the best. While in a vacuum, this issue wouldвЂ™ve given me the same feeling, but after TCW showed his tutelage from various sources, Boba feels both like heвЂ™s earned his reputation with fans and in-universe the skills to be the baddest, best bounty hunter in the galaxy.

I have come to enjoy Boba much more during his younger years, as seen in The Clone Wars, but this is the first time, in both Legends and canon, IвЂ™ve really come to appreciate the grown-up Boba. When I got older, and his вЂfatherвЂ™ Jango was introduced, I found him to be far more interesting and compelling, as his Legends stories fleshed out why he ended up being the perfect candidate for the clone army and I found that to deserve more of a reputation, both with fans and within the GFFA. When I was younger, Boba FettвЂ™s armor held all his appeal and I was a big fan of the character, though even then most of BobaвЂ™s Legends stories set post- Return of the Jedi were hit or miss for me (love the Bounty Hunter WarsВ trilogy, felt meh about his part in the Legacy of the Force).

#STAR WARS AGE OF REBELLION BOBA FETT FULL#

Age of Rebellion вЂ“ Boba Fett #1 does what most of Legends really couldnвЂ™t do for me with the character, making his older-aged appearances compelling, by going full Western/Man With No Name, while the gorgeous art brings the experience to vivid life.

Star wars age of rebellion boba fett